The power of storytelling as a tool for remembrance and change is at the heart of 'Five Years, Four Months,' a film that delves into the harrowing reality of Colombia's disappeared. Co-director Esteban Hoyos García shares his insights into the making of this poignant drama, which premiered at the Karlovy Vary Film Festival.
The Inspiration Behind the Film
The film's genesis lies in a real-life story of a river that relentlessly delivered bodies to the shores of a Colombian town. This eerie phenomenon inspired the directors to explore the concept of delayed grief and mourning among the mothers of the disappeared.
"When someone dies, there's a sense of closure, but these women lived in a state of perpetual uncertainty," García explains. "It's a unique and painful struggle to have a loved one disappear without a trace."
Crafting the Narrative
To capture the different stages of this intense mourning, the directors paired a mother who had been searching for a few years with one whose search spanned decades. This decision allowed the audience to witness the evolution of grief and the resilience of these women.
García emphasizes the importance of professional actors for the lead roles, citing the complexity of the characters' emotions. However, the supporting cast featured real-life mothers, giving them a platform to share their stories and adding an authentic layer to the film.
The Political Landscape
The timing of the film's release is significant, given the recent election of a right-wing president in Colombia. García expresses concern over the incoming administration's plans to suspend the 2016 Peace Agreement and defund initiatives focused on finding the disappeared.
"The film takes on a new urgency as we see a return to the very attitudes that caused so much pain in the past," he says. "It's a reminder that history must not be forgotten, especially when it's so recent and relevant."
A Global Message
Being the first Colombian film in Karlovy Vary's main competition is a testament to the film's impact and the directors' mission. García hopes that the film will connect with audiences internationally, amplifying the stories of these resilient mothers and keeping the memory of their struggles alive.
"It's a privilege to share this story on such a prestigious platform," he concludes. "We hope it sparks conversations and inspires change."
'Five Years, Four Months' is a powerful reminder that art can be a catalyst for social change, shedding light on stories that deserve to be heard and remembered.
